Congratulations to the winners of the 2023 contest! See the results. Check back later when we announce the 2025 competition.
Learning to compose opens up a world of possibilities for self-discovery, innovation, and connection with others through the universal language of music. With carillon music specifically, your music is potentially heard by thousands across the world. The best way to get started is to practice!
The Guild of Carillonneurs in North America invites you to develop your compositional skills by entering the Franco Proposal Contest. Held every 2 years, it is named in honor of the composer Johan Franco (1908–1988). He was an accomplished composer and a respected member of the GCNA, whose compositions for carillon number in the hundreds, many of exceptional quality.
Type: Entries must be a proposal to write an original composition for carillon. Your proposal should contain:
Open to: Everyone, except members of the Franco Committee. Composers that have written extensively for carillon will also generally not be considered and should instead enter the Franco Composition Contest.
Quantity: Only 1 entry is allowed.
Submission deadline: June 1, 2022.
No entry fee.
Two prizes will be awarded. Both winners will receive US$2,000. Their compositions will be published by the GCNA, promoted on the GCNA website (see Publication and copyright), and premiered at the 2023 GCNA Congress.
To enter the competition:
That's it! Questions? Email franco@gcna.org.
The jury consists of the following members on the Franco Committee: Margaret Angelini, Linda Dzuris, Alex Johnson, Thomas Lee, Scott Orr, Tiffany Ng, and Charles Zettek. They will evaluate entries based on their usefulness to the carillon community, namely their effectiveness on the carillon, playability, originality, and general musical interest.
To preserve anonymity, we ask that you not contact any members of the jury, directly or indirectly. Send your questions to the competition committee chair, Joey Brink, at franco@gcna.org.
To familiarize yourself with the carillon, we recommend starting with these resources:
The work you will compose must be playable by a solo carillonneur on a 4-octave carillon (C–D–chromatic–C4; low C♯ omitted), with a 2-octave pedalboard (C–D–chromatic–C2). Notating outside of this range is permitted provided that substitutions are given in the 48-bell range. You may wish to limit your pedalboard range to 1.5 octaves (C–D–chromatic–G1) as many carillons (particularly European standard) have that reduced range. Arrangements for 2-octave carillon are welcome (again with low C♯ omitted).
Public performance of any winning composition prior to the 2023 GCNA Congress is grounds for disqualification.
By entering the contest, you agree to the following requirements regarding publication and copyright should your proposal win:
Thank you to everyone who participated—there were 33 entires in total. The Franco Committee's work was a huge challenge, and we're thankful for their effort. We are excited to announce the winning pieces; they will contribute greatly to the carillon repertoire! We will be working with each prizewinner on the composition and publication of their compositions, and we look forward to hearing them in Cohasset!
Composed work: Moonglades
Pernille Faye is a Norwegian/Irish composer based in London. She is currently in her first year at the Royal Academy of Music where she has been awarded a scholarship to study composition with Helen Grime and Morgan Hayes. She is the 2021 BDRS Composition Competition Under-19 Prize Winner. Her jazz sextet Responsibility received an honorable mention in the Composers Concordance 11th Annual 'Generations' Composition Competition and she was a Martin Read Foundation Young Composer for 2019, 2020 and 2021, receiving commissions for their Festival of Contemporary Music and studying with Dr. Pande Shahov and Ali Willis. Her music featured in the National Schools' Symphony Orchestra's Digital Celebration and in 2020 her piece Principles of Structure was a double shortlisted entry in the BBC Young Composer Competition. Pernille explores many styles of composing including projects with percussion, electronics and field recordings, as well as the project Rhapsody for Gibbons in collaboration with Monkey World Ape Rescue Centre, experimenting with the natural music of gibbon song alongside "human" music and creating a work to help raise awareness of gibbon conservation.
Composed work: Der Maestroso
Joseph Klein is a composer of solo, chamber, and large ensemble works, including instrumental, vocal, electroacoustic, and intermedia compositions. His music reflects an ongoing interest in processes inspired by natural phenomena, often drawing upon literary sources and incorporating theatrical elements as part of the overall musical narrative. He holds degrees in composition from Indiana University; University of California, San Diego; and California State Polytechnic University, Pomona; and his composition teachers have included Harvey Sollberger, Claude Baker, Robert Erickson, and Roger Reynolds. Klein is currently Distinguished Teaching Professor and Chair of Composition Studies at the University of North Texas.
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